I’m curious to know which a part of Connell’s emotional struggles Mescal linked with most. What he mentioned earlier, about being positive Regular Folks had ‘all of the components’ wanted to be a success, and that it was solely his personal capability he questioned – was it that type of anxiousness? ‘Sure, since you by no means know whenever you’re performing in the event you’re any good or not. And in the event you suppose you’re being good, you’re most likely not.’ So regardless of his success he nonetheless feels insecure on an expert stage? ‘Sure,’ he nods. ‘I hope it would go, however I don’t suppose it ever totally will, as a result of it’s a part of my nature. However I’d prefer to get to the purpose the place it dissipates somewhat.’
Watching Olivia Colman, Dakota Johnson and Peter Sarsgaard do their factor on set on the Greek island of Spetses in September, throughout the filming of Maggie Gyllenhaal’s directorial debut, The Misplaced Daughter, has been a terrific assist in that regard, says Mescal. He performs Will within the retelling of Elena Ferrante’s bestselling 2008 novel. ‘There’s a standard denominator as a result of I observed that there have been nonetheless a couple of nerves there, solely they know that they will deal with the pressures, due to expertise they’ve had.’ He’s hoping to carry a few of that to his function in Carmen, during which he performs the naive soldier Don José, who’s seduced by the wiles of Carmen (Melissa Barrera). ‘However I’ve labored out that it’s not a lot about ego as a cumulative confidence, and I don’t but have the wealth of expertise that may assist me suppose, “That is all going to be fantastic.”’
I think most, if not all, of Mescal’s role-models are fraught with related anxieties; they’re most likely simply higher at hiding them. And it doesn’t take a terrific leap of religion to really feel positive that for this younger newcomer, every part goes to be higher than fantastic.
Regular Folks is accessible on BBC iPlayer
— to www.telegraph.co.uk